{ Brasil //// France }

Choreographic and imagery artist, researcher in urban dances, extemporary dancer and pedagogue. Her practice is situated among notions of transit, displacement, belonging, overlapping, memory, colors and ordinary gestures.

In 2020 she created the NA MATA LAB structure. NoirBLUE — the displacements of a dance (2018 – 27 ‘) is her first documentary and VÓS (2011 – 5’30) is her first video essay. THE DIVINE CYPHER, O BΔNQUETE, COROA, NoirBLUE, DRW2 and Le Tour du Monde des Danses Urbaines en 10 cities, are her pieces which combine choreography, speech and installation. CORPO FIRME; danças periféricas, gestos sagrados is the practice that she has been developing and sharing since 2010. Currently, she is developing Another Anagram of Ideas a project during the fellowship from MoMA — New York and Cisneros Institute. Between 2019 and 2021 she was associate choreographer of the Dancing Museums project in France. In collaboration, she developed the choreographic exhibition WOMEN PART 3 with Ghyslaine Gau and Annabel Guérédrat, as well as the installation Rádio Concha with the philosopher Maria Fernanda Novo, then counts with the participation of @Favelinhadance and Chassol for the essay named RACE in 2021 . Ana Pi is associate artist at the production office Latitudes Contemporaines. 

{ She is also searching for her father, Julio Cesar de Oliveira, who is missing in Brazil since 4th march 2018 }

[ photo de Daniel Nicolaevsky pour la pièce THE DIVINE CYPHER ]